Netherlands Film Academy joins European consortium
Netherlands Film Academy joins European consortium to form Sound in AudioVision (SIAV), a European Joint Masters Degree in Sound
Beginning in October 2014, Sound in AudioVision (SIAV) will become the first European Joint Masters degree for Sound created by a consortium of European universities, film schools, art schools and arts organisations. The overall aim of the course is to produce practitioners to work in the creative industries, who are not only highly skilled but also individual, creative, critically aware, innovative and professional in their approach. By producing graduates with this combination of attributes, SIAV will fulfil its objective to enable people who have something ‘to say’, to communicate this effectively with their audience.
What is SIAV?
SIAV is a two-year master's programme in Sound, an intensive education in the creative potential of sound both of itself and as part of a multi media practice. The innovative curriculum emphasises the development of creative practice alongside technical craft and embraces research as essential in supporting self and creative development.
At this moment a steering group (with members from Aalto University, Finland; Nederlandse Filmacademie, Netherlands; ENSATT, France; Festival International du Film d'Aubagne, France; Flanders International Film Festival, Belgium; ifs internationale filmschule Köln, Germany; School of Arts Ghent, Belgium; and The School of Sound, UK) is currently developing the curriculum with the support of the European Commission.
More information will be available in January 2013.
Why is it needed?
Sound is at the heart of our perception of the world. It defines and clarifies our experience in time and space. It is both informative and affectual – sound can give us information but, more importantly, sound makes us feel, physically and emotionally.
While there are countless courses teaching how to interpret visual information, from medieval painting to modern advertising, sound is a relatively unexplored field of study. And, although academic studies do explore the theoretical and conceptual sides of audio production, sound is generally considered a technical, rather than aesthetic, subject. SIAV aims to address this imbalance through an integration of practice and theory continuously fed by theoretical, critical and conceptual thinking. In this way, it will teach sound as a discipline in itself as well as in relation to screen production, dance, theatre, radio, architecture and other arts and media.
We strongly believe that this can be achieved most effectively as a joint degree, taking full advantage of the diversity of research and working practices across Europe and assimilating them into one educational program. This collaboration between European schools, creative industries and professional practitioners and artists will address the need for new skills – both technical and creative - demanded by rapid technological, economic and social developments. By combining research and education in this unique curriculum we will enable graduates to flourish within this creative and technological evolution.
Additionally, the SIAV curriculum encourages mobility within Europe by requiring the students to study at one of the partner schools or with an associated artist or practitioner. This form of international education stimulates new creative thinking while encouraging more job opportunities for graduates on the European labour market. Likewise, the teachers benefit through interaction with a much more diverse group of students as well as with a broader circle of educators than they would normally experience.
Who is SIAV for?
Our target group is artists, creators and professional practitioners who want to develop their knowledge and skills in sound. We will welcome applications from anyone already using sound or interested in exploring the field of sound to incorporate it into their artistic practice.
Students will be selected first and foremost on their creative abilities, coupled with a passion for their chosen medium. Technical abilities are important, but providing there is a good level of basic competence these skills can be taught. Recent graduates, experienced professionals or those without a formal academic background will all be welcome as we look for a diverse group of students who can learn together and inspire one another.
The strength of SIAV is that students can access the expertise of different institutes and exchange ideas on a European level. Students will have the possibility to develop their own projects within a multicultural environment, providing them with fundamental insights into the diversity of European thinking. Even though the course will be taught in English, the variety of European philosophic and artistic traditions is at the heart of this MA.
When does it begin?
The SIAV partners are now developing the curriculum with the aim of accepting applications from late-2013 and classes beginning in October 2014.
From September 2012 we will have our website online to disseminate information about SIAV and our progress with the curriculum.
If you would like to be kept informed about SIAV and receive periodic newsletters, send your name, your organisation’s name and email address, to: Lieva Reunes - Administrative Coordinator SIAV - email@example.com
With the support of the Lifelong Learning Programme of the European Union
Partner organisations and their representatives
Aalto University, School of Arts, Design and Architecture, Finland
Pietari Koskinen - Professor of Practice, Film Sound Design, Department of Film, Television and Scenography. Multiple award-winning sound designer in feature films, documentaries and animation for 24 years.
Ben Zijlstra - Studied mechanical engineering followed by sound and camera at the Netherlands Film and Television Academy. Worked free-lance for 17 years in documentary and feature film: sound recording, sound editing, sound design and mixing. From 2001 until present: Head of Sound Design at the Netherlands Film Academy, developed the sound design curriculum from scratch with emphasis on ‘team teaching’ and ‘sound as storytelling tool’.
Ecole Nationale Supérieure des Arts et Techniques du Théâtre (ENSATT), France
Daniel Deshays - Sound explorer and recorder for theater, cinema and music for 40 years. Teacher in National schools and for professional lifelong education. Coordinator of the Dept. of Sound Conception in ENSATT since 1992. Lecturer since 1989. Writer of essays about "sound writing": De L'écriture Sonore, 1999, publisher Entre-Vues, Marseille; Pour une Ecriture du son, 2006, Entendre le Cinéma, 2010, publisher Klincksieck, Paris. www.ensatt.fr
Festival International du Film d'Aubagne (FIFA), France
Samya Papasoff - In charge of international relations and artistic adviser for FIFA. After studying in management and administration of arts in Canada and France, she worked in press relations for the Festival International du Jazz de Montréal/ Francofolies de Montréal/ Montreal HightLights Festival (2009-2010) and as a communication and partnership assistant for Jazz des 5 continents, Marseille (2011). www.cineaubagne.fr
Ghent International Film Festival, Belgium
Valerie Dobbelaere - The Festival started in 1974 and has developed into one of Europe's foremost film events. In 1985 it introduced the innovative theme, 'The Impact of Music on Film', focusing the international film competition on the importance of film music and sound design and organising a series of film music concerts and seminars with guests such as Ennio Morricone, Georges Delerue, Nicola Piovani, etc. The World Soundtrack Academy and the annual World Soundtrack Awards, launched in 2001, has intensified our focus on the importance of film music. www.filmfestival.be & www.worldsoundtrackacademy.com
ifs, internationale filmschule köln, Germany
Su Nicholls-Gärtner - Su started her career on international film sets in Vancouver, Canada then moved to Germany in 1993. Here she became an editor for film and television. She has taught at the RTL School for Journalism and the ifs internationale filmschule köln and since 2001 has worked there as Head of Editing Picture & Sound. In July 2012 she will take over the position of Head of Studies.
Andre Bendocchi-Alves studied and fell in love with film at the USP University in Sao Paulo, Brasil. Since 1988 he has worked on many award winning films such as Lisbon Story, Smilla Sense of Snow and Picco. He has been a member of the German Film Academy and the EFA since 2003 and has taught Filmmontage and Sound Design at the ifs since 2001. In 2009 Andre took on the position of Professor for Editing Picture and Sound at the ifs.
School of Arts Ghent, Belgium
Martine Huvenne - Musicologist, lecturer and researcher on Sound and Music in Film at the School of Arts, Ghent. Trained in Laban technique as a dancer. PhD on a phenomenological approach of sound in film (UVA 2012). Curator of the annual film music seminar of the Ghent International Film Festival. Coordinator of SIAV. www.kask.be
The School of Sound, UK
Larry Sider - Sound designer and film editor in features, documentary, animation and experimental productions for 30 years. Teacher at film, media and art schools around the world. Former Head of Post-Production at the NFTS (UK). Co-founded the School of Sound with Diane Freeman in 1997. Co-editor Soundscape: The School of Sound Lectures 1998-2001; Co-editor The New Soundtrack journal. www.schoolofsound.co.uk