Collaboration and Authorship | ||
Redenzione | ||
Filming Beyond | Beyond the Choir | ||
Syndromes of mimicry | ||
Crossing the Atlantic Ocean to cry, a tactile decolonial manifesto | ||
May 9th | ||
Filmmaking as method | 13 attempts to Shoot My Father | ||
Rook | ||
Borrowed Time: Thoughts on Authorship and the Ethics of Appropriation | Estates | ||
Looking for the real person | Hello Cinta Pertamaku | ||
The Brick House (Home) | ||
Memory as a methodology for filmmaking | ||
Research Atlas - Bram Loogman, Brigiet van den Berg, Nina Jan | ||
The Iranian Film | ||
deluge | ||
Transhuman | ||
The Church of Lame | ||
Into the Bleed | Forcing the Third Entity | ||
Proximities, rehearsals and archive (working title) - Katarina Zdjelar | ||
Daar is het beter | ||
Do you believe in love after love... | ||
Red Kid Black Kid | ||
Als ik jou niet had | ||
Symmetry | ||
The Vertical Horizon (Towards an Ecology of Memory) | One Year Life Strata | The Refuge | ||
Asymmetries: Iterations in/through Artistic Research - Nduka Mntambo | ||
Desideratum | ||
The Year Is Gone | ||
Place in Memory I Memory in Place : re-membering the past | ||
Dochters | ||
Glass Of The Microscope | ||
The family as a mise-en-scène | ||
Gestures of Video Essay: Thinking in and Through Film - Stanislaw Liguzinski | ||
De Rode Loper | ||
INSTRUMENT | ||
Visual Anthropoetry - An artistic approach towards indigenous knowledge | ||
Geen weg terug | ||
About the end of the world and making babies | ||
Documentary movement | Listen to the grass growing | Virginia W. | ||
Artistic Research and Pedagogy in Times of Crisis - Pablo Martinez-Zárate | ||
kluizenaar | ||
Working Frames | ||
(Yet to be determined) | ||
Onze vaders | ||
Katermonologen | ||
The Boys Next Door | ||
The Greenhouse Programme | ||
Destiny | ||
Elegie | ||
One Thing at a Time | ||
Meester | ||
Afscheid van Han | ||
When you grow up | ||
From storing to sharing - a manual for mapping the multimodal research infrastructure - Brigiet van den Berg, Bram Loogman | ||
Een bizarre samenloop van omstandigheden | ||
Face-to-Face | ||
Shalky | ||
Het onopmerkelijke leven van Hans Boorman | ||
The Crossings Within | ||
Porfotto | ||
Citygulls | ||
OFFBEAT | ||
Ham Nafas | ||
No Man's Land | ||
A future time arriving and passing - Diana Toucedo | ||
Commercialblok 2011 | ||
Forgotten Heroes | ||
Ningyo | ||
Hospitality | ||
Mania | ||
Het Laatste Woord | ||
No Pressure | ||
Dubbel geparkeerd | ||
El Muerto | ||
Eskalibur | ||
At Midnight Plays A Dance-Tune | ||
Naar het Bos | ||
Dante vs. Mohammed Ali | ||
Panorama Heesterveld | ||
The Netherlands Film Academy presents | ||
Pose | ||
DRIFT | ||
VRAcademy - Nikki van Sprundel, Jilt van Moorst | ||
The Return Home | ||
Seeds of Deceit | ||
Missing | ||
Pure Air | ||
The Master Artistic Research in and through Cinema (2008 – 2020) | ||
Percolate Feelings | ||
Sam & Dan: Floaty Flatmates | ||
“Boat-people”_a deconstruction of documentary | ||
SISTERS | ||
À la Cart Performance Webshop | ||
Swimming to the Moon | ||
A A | ||
The Library of Things | ||
The Long Road Home | ||
Liedjes uit Noord | ||
The Soap of Life | ||
Wij zijn er klaar voor | ||
Festivaltrailer & Bumper Lichting 2016 | ||
Till the end of the world | ||
SCHULD | ||
Self | ||
Magnesium | ||
Play the program | ||
Filmarcades - the atlas of mancipated spectatorship | ||
Directed by detours | ||
Heaven Awaits | ||
Un Chanteur Invisible | ||
Wolvenpad | ||
Van de wereld | ||
9/11 A Love Story | ||
De Club van Lelijke Kinderen | ||
Roem | ||
Journey to the city of light - Inhabiting Uncertainty | ||
Collaging Time - intertwined connections between personal and and collective memories | ||
Sisters | ||
Tuning Room - Invoking the Medium | ||
A Twist in the Fabric of Space | ||
Geological drama (s) - On living ruins and earthly entanglements | ||
Arrested Time & the Fragility of Being | ||
Het Lot van Lotte Lammers | ||
In close proximity - translating an embodied female history in film | ||
Lost and Found | ||
Imagining violence through landscapes | ||
The language of memories - Interpreting traces of intergenerational migration | ||
Over zonen | ||
Thicker Than Water | ||
Like Music from a distant room: relating to history through cinema | ||
This, too, was a gift | ||
Commercialblok 2012 | ||
Skinache | ||
Rewilding the Everyday: A Crosspollination of Stillness and Motion | ||
Kristians Prelude | ||
Junction of the Eyes - on the performativity of looking and image-making | ||
Cowboys Janken Ook | ||
Our Very Own Defects | ||
Een scout weet de weg | ||
An Unforgettable Farewell | ||
Embodying the discourse - developing multimodal formats for teaching theory in art schools | ||
ONGEZIEN | ||
Searching for Aliens | ||
Ik | ||
SIREN | ||
A View From Above | ||
Indringers | ||
Commercials 2017 | ||
Ignorance Is Bliss | ||
Blue Monday | ||
Lokroep | ||
Deepfake Therapy | ||
A TOMATO TRAGEDY | ||
Met Excuses voor het Ongemak | ||
Bring Me South | ||
Disconnect | ||
Cinder | ||
Patronen | ||
2GETHER | ||
Donnie Mountain | ||
We’ll Get to That | ||
Sacred Defense | ||
Cargo | ||
God was Here! | ||
Deus ex Vagina | ||
Paard-en-meisje | ||
Clan | ||
Harmonia | ||
Hallelujah Amsterdam! | ||
Savannah en haar moeder | ||
Dark Machine | ||
Back to Zotteken Waes | ||
Pocket Change | ||
Vloeibaar staal | ||
Our Own | ||
The Ballet of Service | ||
Let Nature Heal | ||
When Grey is a Colour | ||
Why didn’t you stay for me? | ||
Merhamet | ||
Without Sun | ||
Demi | ||
Nothing Happened | ||
Greetings from Kropsdam | ||
Paul and Paul | ||
Heading South | ||
On the Edge of Life, I Saw a Film | ||
Red Giant | ||
the resurrection of a leaf | ||
The Mechanics | ||
Black Joy (Blaka Koloku) | ||
The Origin of Trouble | ||
A journey into zero space | ||
The New Man | ||
Split Second | ||
Phoenix 38 | ||
Commercialblok 2013 | ||
Levenslang en Gelukkig | ||
Jett Rebel: Ready for Takeoff | ||
Fernweh | ||
'FILMED – Laboratory for Film Education. From discourse to practice' | ||
Anton | ||
De Sleutelbewaarder | ||
Gameboy | ||
If mama ain't happy, nobody's happy | ||
Noord Oost Hard West | ||
Nowhere Place | ||
Onbeperkt | ||
Onder Ons | ||
Onno de Onwetende | ||
Vaderland | ||
Commercialblok 2014 | ||
Mij krijg je niet | ||
Waar Zij Waren | ||
Voetzoeker | ||
Broker | ||
inter-view; what is this wall between you and me | ||
Nachtoord | ||
Routes of desire | ||
Homesick for Another World | ||
Lazarus | ||
novel voyageurism in a memoryscape | ||
The Space Between Us | ||
Poetics of exile | ||
My Silicone Love | ||
The Pit - A Witness Tale | ||
Joyland | ||
Gold Leaf | ||
Super(im)positions | ||
Allez, Viens! | ||
Milk the farmer, drink the cow | ||
Mapping Traces | ||
Volando Voy | ||
Tarikat | ||
Greifensee | ||
The Hornhunter | ||
Drone drive by | ||
Een dag in 't jaar | ||
Free to Work / Fondata sul lavoro (work in progress) | ||
The present is an animal that lives in my stomach | ||
Serial | ||
Str. Drapelului nr.0 | ||
The dead walk side by side with the living - 2 | ||
What time is it | ||
Jack (a journey to fulfillment) | ||
NFA Research Weekend | ||
Turning Round the House: Empowering Inclusive and Collaborative Decision-Making | ||
To Fly in Solitude | ||
BELLUM | ||
COCOON | ||
Preachers's Kid | ||
The Debit Card | ||
The Production of the unpredicted | ||
The unlikable I - engagement with the foreign element | ||
As far as I can see | ||
The Oldman’s Greenhouse | ||
A Quiet Kind of Thunder | ||
The Underdogs | ||
Longing | ||
The Underground | ||
Viral | ||
Yalda: The Longest Night | ||
Ursa Major | ||
Kimiko | ||
Dialogues of exiled | ||
Future Nostalgias | ||
Public displays of affection | ||
(RE)WRITING HISTORY THROUGH GESTURE AND BODY MOVEMENT | ||
Commercialblok 2015 | ||
Familiarscope | ||
From scanning to skinning : How to swim in layers of virtual scum | ||
My conditions; your rules; our future | ||
Choreographing modes of being | ||
To re-imagine a practice | ||
Grids as control mechanisms: Examining deviations within the Grid | ||
Jazzing Frames | ||
Intimate systems | ||
Eye see too, in You - Friendship beyond Language | ||
Peripheral landscapes | ||
Fun Fatale, Agent of change | ||
The true is the moment of the false | ||
Free Falling | ||
Oppdrift as I walk along the bottom of the sea I remember how to breathe #2 | ||
Exercise in idealism (with practical assignments) | ||
One City Ago | ||
Light as Feathers | ||
No Place Like On The Road | ||
Spectator's ship | ||
Oppdrift as I walk along the bottom of the sea I remember how to breathe #1 | ||
Oppdrift as I walk along the bottom of the sea I remember how to breathe #3 | ||
Museum of (un)sent emails / Radio Muse | ||
Quinten I, II & III | ||
Transformation Games | What is Within? | ||
Commercialblok 2016 | ||
Hortus | ||
A Capella in D mineur | ||
Obstacle Course 2.0 | ||
The Divine Flower | ||
Entertain Me | ||
Eos | ||
Filho | ||
InWords / The word inside Shani | ||
It Will Rain | ||
Sasha | ||
Joan's Theme | ||
Et In Arcadia Ego | ||
Boy of Wood | ||
Nothing Stranger | ||
LOUDER! SO I CAN HEAR YOU | ||
Serori | ||
About a Priest on Rain Boots | ||
Sideroads | ||
Swans Reflecting Elephants | ||
Broken | ||
Cruising the Past: Exploring the archive as a site of longing and desire | ||
This is your captain speaking | ||
Montage as an act of authority and a challenge to authorship | ||
Inside nature, outside the square | ||
To Break A Butterfly |