| Collaboration and Authorship | | |
| Redenzione | | |
| Filming Beyond | Beyond the Choir | | |
| Syndromes of mimicry | | |
| Crossing the Atlantic Ocean to cry, a tactile decolonial manifesto | | |
| May 9th | | |
| Filmmaking as method | 13 attempts to Shoot My Father | | |
| Rook | | |
| Borrowed Time: Thoughts on Authorship and the Ethics of Appropriation | Estates | | |
| Looking for the real person | Hello Cinta Pertamaku | | |
| The Brick House (Home) | | |
| Memory as a methodology for filmmaking | | |
| Research Atlas - Bram Loogman, Brigiet van den Berg, Nina Jan | | |
| The Iranian Film | | |
| deluge | | |
| Transhuman | | |
| The Church of Lame | | |
| Into the Bleed | Forcing the Third Entity | | |
| Proximities, rehearsals and archive (working title) - Katarina Zdjelar | | |
| Daar is het beter | | |
| Do you believe in love after love... | | |
| Red Kid Black Kid | | |
| Als ik jou niet had | | |
| Symmetry | | |
| The Vertical Horizon (Towards an Ecology of Memory) | One Year Life Strata | The Refuge | | |
| Asymmetries: Iterations in/through Artistic Research - Nduka Mntambo | | |
| Desideratum | | |
| The Year Is Gone | | |
| Place in Memory I Memory in Place : re-membering the past | | |
| Dochters | | |
| Glass Of The Microscope | | |
| The family as a mise-en-scène | | |
| Gestures of Video Essay: Thinking in and Through Film - Stanislaw Liguzinski | | |
| De Rode Loper | | |
| INSTRUMENT | | |
| Visual Anthropoetry - An artistic approach towards indigenous knowledge | | |
| Geen weg terug | | |
| About the end of the world and making babies | | |
| Documentary movement | Listen to the grass growing | Virginia W. | | |
| Artistic Research and Pedagogy in Times of Crisis - Pablo Martinez-Zárate | | |
| kluizenaar | | |
| Working Frames | | |
| (Yet to be determined) | | |
| Onze vaders | | |
| Katermonologen | | |
| The Boys Next Door | | |
| The Greenhouse Programme | | |
| Destiny | | |
| Elegie | | |
| One Thing at a Time | | |
| Meester | | |
| Afscheid van Han | | |
| When you grow up | | |
| From storing to sharing - a manual for mapping the multimodal research infrastructure - Brigiet van den Berg, Bram Loogman | | |
| Een bizarre samenloop van omstandigheden | | |
| Face-to-Face | | |
| Shalky | | |
| Het onopmerkelijke leven van Hans Boorman | | |
| The Crossings Within | | |
| Porfotto | | |
| Citygulls | | |
| OFFBEAT | | |
| Ham Nafas | | |
| No Man's Land | | |
| A future time arriving and passing - Diana Toucedo | | |
| Commercialblok 2011 | | |
| Forgotten Heroes | | |
| Ningyo | | |
| Hospitality | | |
| Mania | | |
| Het Laatste Woord | | |
| No Pressure | | |
| Dubbel geparkeerd | | |
| El Muerto | | |
| Eskalibur | | |
| At Midnight Plays A Dance-Tune | | |
| Naar het Bos | | |
| Dante vs. Mohammed Ali | | |
| Panorama Heesterveld | | |
| The Netherlands Film Academy presents | | |
| Pose | | |
| DRIFT | | |
| VRAcademy - Nikki van Sprundel, Jilt van Moorst | | |
| The Return Home | | |
| Seeds of Deceit | | |
| Missing | | |
| Pure Air | | |
| The Master Artistic Research in and through Cinema (2008 – 2020) | | |
| Percolate Feelings | | |
| Sam & Dan: Floaty Flatmates | | |
| “Boat-people”_a deconstruction of documentary | | |
| SISTERS | | |
| À la Cart Performance Webshop | | |
| Swimming to the Moon | | |
| A A | | |
| The Library of Things | | |
| The Long Road Home | | |
| Liedjes uit Noord | | |
| The Soap of Life | | |
| Wij zijn er klaar voor | | |
| Festivaltrailer & Bumper Lichting 2016 | | |
| Till the end of the world | | |
| SCHULD | | |
| Self | | |
| Magnesium | | |
| Play the program | | |
| Filmarcades - the atlas of mancipated spectatorship | | |
| Directed by detours | | |
| Heaven Awaits | | |
| Un Chanteur Invisible | | |
| Wolvenpad | | |
| Van de wereld | | |
| 9/11 A Love Story | | |
| De Club van Lelijke Kinderen | | |
| Roem | | |
| Journey to the city of light - Inhabiting Uncertainty | | |
| Collaging Time - intertwined connections between personal and and collective memories | | |
| Sisters | | |
| Tuning Room - Invoking the Medium | | |
| A Twist in the Fabric of Space | | |
| Geological drama (s) - On living ruins and earthly entanglements | | |
| Arrested Time & the Fragility of Being | | |
| Het Lot van Lotte Lammers | | |
| In close proximity - translating an embodied female history in film | | |
| Lost and Found | | |
| Imagining violence through landscapes | | |
| The language of memories - Interpreting traces of intergenerational migration | | |
| Over zonen | | |
| Thicker Than Water | | |
| Like Music from a distant room: relating to history through cinema | | |
| This, too, was a gift | | |
| Commercialblok 2012 | | |
| Skinache | | |
| Rewilding the Everyday: A Crosspollination of Stillness and Motion | | |
| Kristians Prelude | | |
| Junction of the Eyes - on the performativity of looking and image-making | | |
| Cowboys Janken Ook | | |
| Our Very Own Defects | | |
| Een scout weet de weg | | |
| An Unforgettable Farewell | | |
| Embodying the discourse - developing multimodal formats for teaching theory in art schools | | |
| ONGEZIEN | | |
| Searching for Aliens | | |
| Ik | | |
| SIREN | | |
| A View From Above | | |
| Indringers | | |
| Commercials 2017 | | |
| Ignorance Is Bliss | | |
| Blue Monday | | |
| Lokroep | | |
| Deepfake Therapy | | |
| A TOMATO TRAGEDY | | |
| Met Excuses voor het Ongemak | | |
| Bring Me South | | |
| Disconnect | | |
| Cinder | | |
| Patronen | | |
| 2GETHER | | |
| Donnie Mountain | | |
| We’ll Get to That | | |
| Sacred Defense | | |
| Cargo | | |
| God was Here! | | |
| Deus ex Vagina | | |
| Paard-en-meisje | | |
| Clan | | |
| Harmonia | | |
| Hallelujah Amsterdam! | | |
| Savannah en haar moeder | | |
| Dark Machine | | |
| Back to Zotteken Waes | | |
| Pocket Change | | |
| Vloeibaar staal | | |
| Our Own | | |
| The Ballet of Service | | |
| Let Nature Heal | | |
| When Grey is a Colour | | |
| Why didn’t you stay for me? | | |
| Merhamet | | |
| Without Sun | | |
| Demi | | |
| Nothing Happened | | |
| Greetings from Kropsdam | | |
| Paul and Paul | | |
| Heading South | | |
| On the Edge of Life, I Saw a Film | | |
| Red Giant | | |
| the resurrection of a leaf | | |
| The Mechanics | | |
| Black Joy (Blaka Koloku) | | |
| The Origin of Trouble | | |
| A journey into zero space | | |
| The New Man | | |
| Split Second | | |
| Phoenix 38 | | |
| Commercialblok 2013 | | |
| Levenslang en Gelukkig | | |
| Jett Rebel: Ready for Takeoff | | |
| Fernweh | | |
| 'FILMED – Laboratory for film education. From discourse to practice' | | |
| Anton | | |
| De Sleutelbewaarder | | |
| Gameboy | | |
| If mama ain't happy, nobody's happy | | |
| Noord Oost Hard West | | |
| Nowhere Place | | |
| Onbeperkt | | |
| Onder Ons | | |
| Onno de Onwetende | | |
| Vaderland | | |
| Commercialblok 2014 | | |
| Mij krijg je niet | | |
| Waar Zij Waren | | |
| Voetzoeker | | |
| Broker | | |
| Nachtoord | | |
| Lazarus | | |
| The Space Between Us | | |
| My Silicone Love | | |
| Joyland | | |
| Gold Leaf | | |
| Allez, Viens! | | |
| Milk the farmer, drink the cow | | |
| Volando Voy | | |
| Tarikat | | |
| Greifensee | | |
| The Hornhunter | | |
| Drone drive by | | |
| Een dag in 't jaar | | |
| Free to Work / Fondata sul lavoro (work in progress) | | |
| The present is an animal that lives in my stomach | | |
| Serial | | |
| Str. Drapelului nr.0 | | |
| The dead walk side by side with the living - 2 | | |
| What time is it | | |
| Jack (a journey to fulfillment) | | |
| To Fly in Solitude | | |
| BELLUM | | |
| COCOON | | |
| Preachers's Kid | | |
| The Debit Card | | |
| The Production of the unpredicted | | |
| The unlikable I - engagement with the foreign element | | |
| As far as I can see | | |
| The Oldman’s Greenhouse | | |
| A Quiet Kind of Thunder | | |
| The Underdogs | | |
| Longing | | |
| The Underground | | |
| Viral | | |
| Yalda: The Longest Night | | |
| Ursa Major | | |
| Kimiko | | |
| Dialogues of exiled | | |
| Future Nostalgias | | |
| Public displays of affection | | |
| (RE)WRITING HISTORY THROUGH GESTURE AND BODY MOVEMENT | | |
| Commercialblok 2015 | | |
| Familiarscope | | |
| From scanning to skinning : How to swim in layers of virtual scum | | |
| My conditions; your rules; our future | | |
| Choreographing modes of being | | |
| To re-imagine a practice | | |
| Grids as control mechanisms: Examining deviations within the Grid | | |
| Jazzing Frames | | |
| Intimate systems | | |
| Eye see too, in You - Friendship beyond Language | | |
| Peripheral landscapes | | |
| Fun Fatale, Agent of change | | |
| The true is the moment of the false | | |
| Free Falling | | |
| Oppdrift as I walk along the bottom of the sea I remember how to breathe #2 | | |
| Exercise in idealism (with practical assignments) | | |
| One City Ago | | |
| Light as Feathers | | |
| No Place Like On The Road | | |
| Spectator's ship | | |
| Oppdrift as I walk along the bottom of the sea I remember how to breathe #1 | | |
| Oppdrift as I walk along the bottom of the sea I remember how to breathe #3 | | |
| Museum of (un)sent emails / Radio Muse | | |
| Quinten I, II & III | | |
| Transformation Games | What is Within? | | |
| Commercialblok 2016 | | |
| Hortus | | |
| A Capella in D mineur | | |
| Obstacle Course 2.0 | | |
| The Divine Flower | | |
| Entertain Me | | |
| Eos | | |
| Filho | | |
| InWords / The word inside Shani | | |
| It Will Rain | | |
| Sasha | | |
| Joan's Theme | | |
| Et In Arcadia Ego | | |
| Boy of Wood | | |
| Nothing Stranger | | |
| LOUDER! SO I CAN HEAR YOU | | |
| Serori | | |
| About a Priest on Rain Boots | | |
| Sideroads | | |
| Swans Reflecting Elephants | | |
| Broken | | |
| Cruising the Past: Exploring the archive as a site of longing and desire | | |
| This is your captain speaking | | |
| Montage as an act of authority and a challenge to authorship | | |
| Inside nature, outside the square | | |
| To Break A Butterfly | | |
