Art Knowledges: daily rituals and aesthetic practices

Thursday 16 March 2023, 19:30 - 22:30 | Netherlands Film Academy
RSVP (Before 10 March)


On Thursday 16 March the Research Group of the Netherlands Film Academy presents:
Art Knowledges: daily rituals and aesthetic practices, organized by Nduka Mntambo, head of the Master of Film at the Netherlands Film Academy, and Jyoti Mistry, Professor of Film at HDK Valand in Gothenburg, Sweden.

The evening explores ways in which Artistic Research in and through cinematic practices responds to the new uncertain world that is reflected in our daily practices as artists, researchers, and teachers. The event is conceived as an artistic and pedagogic conversation between colleagues and students situated in what is questionably defined as the Global South. The aim is to tease out the epistemic stakes that characterize the current sociopolitical milieu of spaces accessed from Johannesburg, Beijing, Pune, Moscow, and Sao Paulo.

The evening is the outcome of an artistic research project, called Visual Methodologies, in which five film schools and their students participated. In each of the five locations, the students and teachers worked around a specific theme to produce short films at the end of the workshop: Geographies of gender (Puna, India), Sonic Architectures (Sao Paulo), Digital Pedagogies (Johannesburg and Beijing). Students from HDK Valand in Sweden, worked with archival footage to re-think Moscow.

The evening will start with brief presentations by the different collaborators on the project about the outcomes of and reflections on the project. After the break – meant as an opportunity for speakers and public to meet and exchange – the evening will be concluded by a presentation by Swedish documentary maker Erik Gandini about his new project, The future through the present, and a discussion with South-African researcher/musician Tumi Mogorosi about jazz as a decolonial project.

Below you find short biographies of each of the speakers.
We look forward to welcoming you for an inspiring evening!

RSVP (Before 10 March)

 

Bio of Participants

Eduardo Santos Mendes is a sound for audiovisual media professor and researcher at São Paulo University (USP) and a sound supervisor for films and series. As a sound supervisor, he collaborated on more than 70 films and series and had his work recognized by Brazilian and international film festivals, such as Brasília, Recife, Rio de Janeiro, and Havana.

Klara Björk is serving as head of department of HDK-Valand in Gothenburg since 2021. She is interested in (critical) thinking through (artistic) practice involving visual literacy, decolonial practices, Sami identities, history, and politics. Over the last four years, Björk been responsible for a Linnaeus-Palme funded teacher-student exchange between Sweden and South Africa.

Deb Kamal Ganguly, an independent Indian filmmaker, video artist, editor, researcher, and film teacher. His video work has been published under special curatorship from Lowave, Paris. His video art has been featured in the exhibition 'Indian Highway' and showcased in galleries of various cities of Europe and Asia.

Yu Ran is a filmmaker and professor. He is the Vice Chair of the University Convergence Media Center at the Communication University of China in Beijing. He is also a CILECT Teaching Award winner and, as director, winner of the National Best Works Award of China.

Nduka Mntambo is an image-maker working in the interstices of urban spatial practices, experimental filmmaking, and pedagogy. He holds a PhD in Film and is currently the Head of Master of Film: Artistic Research in and through Cinema at the Netherlands Film Academy. Before that he was the head of the Film and Television Program at the Wits School of Arts in Johannesburg.

Jyoti Misrty is Professor in Film at HDK-Valand, University of Gothenburg, Sweden. Mistry works in film both as a research form and as a mode of artistic practice. Her films are presented at film festivals as well as museum exhibitions. Recent film works include: Cause of death (2020) and When I grow up I want to be a black man (2017). Mistry has published extensively on topics pertaining to research, practice and pedagogy. Her research and practice include topics on archives, site specificities and the relationship between film aesthetics and its politics.

Erik Gandini is filmmaker and Professor of Documentary Film at the Stockholm University of the Arts. His filmography includes among others Gitmo (2005), in collaboration with Tarik Saleh, and The Swedish Theory of Love (2015). His ongoing research project, The future through the present is interdisciplinary and conducted in collaboration with Jyoti Mistry and Roland Paulsen, Associate Professor of Sociology at Lund University.

Tumi Mogorosi is an artist, activist, and theorist with a focus on Black liberation through the prism of the Black Radical tradition. The Black Radical tradition serves as a framework, but also as way to engage the Black sonic in its diasporic articulation. Mogorosi has three jazz and improvised music albums: Project Elo, 2014. Santum Santorium, 2017, The Wretched, 2020, and Group Theory: Black Music, 2022. He also features as a sideman on some leading groups in South Africa and globally. He holds an MAFA from the University of Witwatersrand and he is currently enrolled in its political studies PhD programme with a focus on Afro pessimism and cultural work.

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